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Video on suits and their construction

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Last week I was profiled in a video series for Harrod’s, giving insights into the construction of Kiton and Tom Ford suits, among others.

It should be available in a couple of weeks, coinciding with the launch of a new MTM/bespoke initiative at Harrod’s that will see those brands and eight others offer their form of custom service to visitors over three days. For anyone that likes the style of a particular brand but wants a touch of the bespoke experience, this will be a great opportunity to chat to the various visiting cutters/representatives, and compare and contrast.  

Wearing Liverano jacket, Cleverley shoes, Caliendo trousers and Drake's accessories

The last few Dartmoors!

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I have just been told that we have a handful of the popular Dartmoor sweaters left at the John Smedley factory – due to exchanges, production overrun and so on.

The sizes available are:
  • Small, seven pieces
  • Medium, seven pieces NOW SOLD OUT
  • Extra large, two pieces
  • Extra extra large, three pieces

I’m sure these will go quickly, so please email me at the usual address, simon@simoncrompton.co.uk, if you would like one of these last few in our one-off series. And of course, as they are already made there will be no six-week wait to get them.

The Dartmoor was a limited-edition long-sleeved polo I designed for John Smedley and launched earlier in the year. It is specifically designed for a slim fit to sit easily under tailoring. The high collar also means it rises above most suit collars, and the fold-back cuff gives it a dressy look.

For more background, see post here.  

Gaziano & Girling's new factory

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The new Gaziano & Girling factory in Kettering is taking shape, and it’s a wonderful thing to see.

An old Loake factory, where they used to do their bottom stock, it backs onto the Church’s closing facility. In fact, the whole building was originally one shoe factory, with the G&G section now a quarter of that size.



Now that Tony and Daniel are sharing the last making and some pattern cutting, they have a small room each. Those two back onto the big main room, where the ready-to-wear shoes will be made, in stages going around the room. At the front is a showroom, and that leads up to an office that looks down over the whole space.

It’s a nice set-up, just a hundred yards from the existing G&G factory – which feels very cramped by comparison. The grand opening is currently planned for October. Expect a report from that.


Chittleborough & Morgan suit: Part 3

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The third and potentially last fitting on my Chittleborough & Morgan suit. Both jackets and trousers were being finished off, and Joe wanted to check the sleeve length before putting the buttonholes in.


Those buttonholes, of course, will be some of the finest anywhere on Savile Row. Check out the Milanese buttonhole on the jacket, below.



Also nice is the fact Michael has started putting a Milanese buttonhole on all of the C&M waistcoat lapels. Together with the cloth back, it makes them into much more like a functioning jacket. And as long-time readers will recall, I’m a big fan of the waistcoat and trousers as modern office attire.

Other changes were small: a slight nip to the waist of the trousers and touch more suppression to the waist of the jacket.


We also began styling it, as I considered where and with what I would likely wear the suit. The aforementioned waistcoat-and-trousers would work well at the office, but the jacket is too much of a statement for that. Instead, I’m likely to add that at evening events, perhaps with a simple white shirt and white handkerchief.


John Carnera with his 1987 shoes

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Last week John Carnera at Cleverley's had a pair of his shoes, dating back to 1987, in for a resole. John doesn't work full time any more, but still helps out with a bit of the pattern cutting and repairs. See his work on my Cleverley shoes here.


Photos: Luke Carby

Buying a modern man bag

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Dear Simon,

I have been wearing a messenger bag for some time for commuting as it's a very handy way of containing all the bulk and occasional papers that I have to cart around with me.

However, I have worried for some time about the potential impact on the shoulders of my suits, and have also noticed that the pressure and rubbing of the strap is starting to create a shiny patch on the lapel area. Help!

Obviously I'm keen not to ruin my suits, but regrettably having some sort of bag is a necessity if I am to avoid shunting my possessions around in various pockets and carrier bags – not a good look.

Do you have any thoughts on practical alternatives to bags with shoulder straps that aren't too "up tight" looking? And, on a remedial note, if you have any advice on tackling early stage shine, short of replacing an entire suit, I would be very grateful.

Kind regards,

Michael

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Hi Michael,

Definitely not a good idea to wear a bag across the shoulder of a suit. Not only will you damage the material, but the suit will be pulled out of shape and you might damage the shoulder pad too.

There are loads of bags out there to consider. Men’s bags are extremely popular at the moment, which means there is a lot of choice.

The basic work bag is a softer, more functional update of the briefcase: it zips up, has plenty of compartments and usually comes with both handles and a shoulder strap (for when you’re not wearing a suit). My favourite is the Courier Ruc Case from J Panther, but everyone has their own version – from Dunhill to Hermes.

That kind of bag will be suitable for any office, particularly in black, but can also be quite casual, if it’s in tan or another paler colour and has some texture to the leather.

The obvious alternative is a tote, which is much more casual. These range from the large, bucket-shaped style (try Lotuff) to more practical, compact and compartmentalised designs (try going to Trunk for a variety of Japanese versions). Other good places to browse are Opumo, which stocks J Panther and Sandqvist – a decent option for a much-cheaper bag – and the bridle leather bags at The Merchant Fox.

Going for canvas is a really good way to save money. But leather will age so much better, and remember that this is pretty much the best case you will ever have for spending a lot of money: it is the only thing you will use every single day.

Check out my article in How to Spend It for more details about quality.

And on your suits with the shine, I’m afraid there’s not much you can do. A little steam and brushing might bring the nap up a little, but otherwise it’s irreversible.

Simon

Me in Dartmoor; Michael in suede; Thomas joins G&G

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These photos were taken at the Gieves party for Rose Callahan’s book I Am Dandy last week. Michael (Browne, Chittleborough & Morgan) and I were rather underdressed, perhaps deliberately so, for an evening of fops and costume drama.

Michael (below) is wearing the bespoke suede jacket he recently had made for himself. Like me with my leather jacket, Michael is interested in the crossover between bespoke tailoring and more casual garments.

He cut the pattern for this jacket himself, and then worked closely with a leather worker to have it made up. It is more of a bomber-jacket style, cut very short and slim with leather panels under the arms and across the waist at the back. It works particularly well given Michael’s slim figure and always bespoke, high-waisted trousers.

My off-duty outfit comprises Rubinacci jacket in Donegal cashmere, Dartmoor sweater (Permanent Style x John Smedley), Tom Ford silk handkerchief and pale-grey flannel trousers from Anderson & Sheppard. Out of sight: green Palatino socks and brown JM Westons.


And I add this shot of Thomas (Kalflo) in order to be able to note that he has just moved from Corthay to Gaziano & Girling.

Thomas was first mentioned in these pages last year in a post on Corthay’s first glacage evening (that’s him, in soft focus behind some dyes). He was both deputy manager at the London store and maitre patineur. Exciting times for G&G, both in terms of shop and patina possibilities. 


Photos: Khalil Musa

How to buy quality shoes

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My latest column on How to Spend It, about the quality and makes of different shoes, is now live.

It may be a little basic for some of the readers of this blog, but if you don't know the difference between Goodyear and Blake yet, it's a good introductory piece. And the Corthays look pretty.

You can see archive pieces on how to buy suits, ties, bags, pens and panamas here.



Get the last Ballantyne cashmere ever

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Despite the size of its shop front, it is easy to miss Berk in the Burlington Arcade. Yet at one point Berk owned 10 different stores in the Arcade: one sold just Burberry raincoats; another specialised in Italian cashmere. The company had outlets on Madison Avenue, Westbourne Grove and Bond Street.

Over the years it grew smaller and smaller as brands launched their own stores. But it has remained one of the best sources of cashmere knitwear in London, based on three brands: John Smedley (which has only one fully-owned shop), Berk (made by Barry in Scotland, now owned by Chanel) and Ballantyne.


Ballantyne was one of the great knitwear brands. For some, the greatest. But the company has gone through several phases of mismanagement, including briefly sharing its factory with Brooks Brothers and Zegna (that lasted three months) and being owned by the style-icon-famous Montezemolo family. Réginald-Jérôme de Mans, in his inimitable style, wrote a detailed history on ASW last May.

That piece was prompted by the news that Ballantyne (well, the factory, Caerlee Mills – the brand had been spun off a while earlier) had gone into liquidation. The machinery was bought by Barry, and smashed up.

The last few hundred pieces of original-Ballantyne cashmere are therefore only available at Berk, and they won’t be there for long. Navy V-necks have already sold out.


So is Ballantyne any better than other Scottish cashmere? It is certainly less milled and more tightly knitted. To the modern man, it doesn’t feel like cashmere at all. It is dense, hard wearing and continues to soften for up to eight washes. In return for that investment of time and washing you get cashmere that barely pills (because of that lack of over-milling), and lasts for years.

It is expensive (from £450 to £700), reflecting the work that goes into it, and while there are crew-necks, V-necks, polo shirts and cardigans, there is only one fit (‘classic’ or, my preferred euphemism, ‘generous’).


That is partly made-up for by the colour range, which is vast. There are over 50 shades. Apparently Versace used to go into the Madison Avenue store each season and buy a dozen of the brightest colours; Armani went in and only bought grey and black.

It won’t be to everyone’s taste, but the Berk stock is a slice of history and certainly worth checking out.


Photos: Luke Carby

Just four Permanent Style ties left

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The Permament Style club tie, our collaboration with Drake’s, has almost sold out, with just four available worldwide. The Drake’s store and website has sold out, Leffot in New York has two remaining and Trunk Clothiers also has two. The ties were limited to 100 and are all individually numbered.


If you still want one, better be quick. 

The bespoke pea coat – Part 1

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A few weeks ago, Davide (Taub, cutter at Gieves & Hawkes) and I began working on another bespoke project, following the leather jacket we completed back in August.
 
This time we decided to tackle the pea coat. I liked the way our leather jacket brought so many aspects of tailoring to bear on a casual piece of clothing, but in retrospect it was quite risky designing it from scratch. The pea coat, by contrast, is both a casual-wear staple and closely related to standard tailoring items such as the great coat.
 
We dug into the Gieves archive, both for great coats and military dress jackets, to create our initial design. It has an S-shaped sweep of buttons more commonly seen on a great coat; there will be a hidden pocket under the left-hand lapel to hold a mobile phone; the chest will be quilted inside to give it greater structure; and the sleeves will be cuffed with the possibility of embroidered details.
 
The back will have an open box pleat in the back, closed in the waist and then open again to the bottom. We eventually decided to go without a yoke – the second of the two options sketched at top. The panels holding the half belt are a design detail taken from an archived great coat.
 
Many of the old pea coats, and some modern designs, also have a separate panel on the front running around the buttons. We felt this was too fussy and had little practical purpose. On most recent coats, it was merely decorative.
 
The buttons will be vintage gilt, and we will aim to fit it over a casual jacket as well as knitwear – so the length will be slightly longer than a regular pea coat.

Above, Davide’s note to the tailor, which required some longer explanation on the back.

 
And below, the pattern chalked out. WDWR stands for ‘Who dares wins Rodney’, a reference to Lee’s (Webb, other Gieves cutter) pattern posted here last month, and a piece of gentle mockery of myself. 

 

The likely lads

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Mats Klingberg Eric Musgrave Mike Hill Douglas Cordeaux

Last night there were two store opening parties: Kent & Curwen on Savile Row and J Crew on Regent Street. And while neither will get fans of luxury menswear that excited, there were good things at both for those on a budget.

K&C might not seem that original in its flannel suits and cream trousers, but then readers often ask where they can get a good pair of grey flannels, and I now have somewhere to reliably point them to. Equally, J Crew does preppy menswear better than pretty much anywhere else currently in London, and there’s a reason their shirts have been so popular since Trunk started stocking them.

Above, four drinking companions at the J Crew bash: Mats Klingberg (Trunk), Eric Musgrave (now Drapers), Michael Hill (Drake’s) and Douglas Cordeaux (Fox Brothers).

 

The style of cycling

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coppi rapha

Cycling has to be the most stylish sport in the world. It has such an elegant, innate rhythm, plus a deep design heritage, a unique culture, and some of the most beautiful settings in the world. I sat down recently with three of the leading lights at Rapha to ask them what they thought makes this sport I love so stylish.  
graeme raeburn rapha

Graeme Raeburn


James Fairbank, brand manager
 (JF): Road racing is often defined, at least in the public eye, by the kit, and that’s gone through lots of different phases over the years. It used to be simple, with just a single sponsor perhaps, and then it became more complicated and lurid over the years.

Graeme Raeburn, head designer (GR): Part of the reason those early jerseys were so simple was the restrictions in the knitting techniques. It might have been a single colour for a team, with a coloured strip tied around the arm as another indicator (that’s something the Rapha designs consciously emulate, with the white or coloured strip on the left sleeve).

The name of a single sponsor might be knitted into the chest of the jersey, but you certainly couldn’t put lots of names all over the kit. I think this was the reason the world champion’s jersey had the distinctive five bands of colour across the chest – it was the most expensive thing to do, to use all those colours.

Later it became possible to print on the jerseys, and then people went a bit crazy, with the lurid designs and multiple sponsors.

Ultan Coyle, art director (UC): I still like the small teams that used to have lots of small sponsors because that was the only way they could afford to compete. One sponsor might be the local garage, but that’s what they needed. 

james fairbank and ultan coyle raphaJames Fairbank, Ultan Coyle


JF
: There’s also a certain appeal to the brightly coloured jerseys, but at the very least it gives different periods of cycling very distinctive looks. You don’t get that so much in other sports – the shapes of the clothing might change, but the colours and design don’t fluctuate so radically. The commercial set up of the cycling teams has always driven that.

When Rapha started, we wanted to hark back to the simpler designs in the past, so we had basic, contrasting colours. That’s also tied in nicely with Team Sky now, as their jerseys have always been very simple and distinctive.

GR: Of course the reason the riders are often brightly coloured is so teammates can distinguish them on the road. You have that need in football or rugby as well, but not at the same speed or in the same conditions, going in and out of tree cover for example.

Cycling is different to those sports as well in the size of the canvas there is to play with. It’s not just the kit but the helmets, the bikes. The team colours can play out across all of them.

Ultan Coyle

Ultan Coyle


UC
: Thinking about the style of cycling as a whole, the way the teams ride together is probably a contributor. In the same position, the same kit, the same bikes, all tightly grouped. It’s what makes the lead-out trains exciting – when you see the teams come together.

JF: Riding is certainly more coordinated and smoother than most other sports. It has an elegance in the speed of the movements, and the gradual acceleration. Someone might be absolutely killing themselves, yet still look calm and assured to a casual observer.

UC: It’s interesting how the lines of the rider and the bike are abstracted, in art, logos or other designs. They are often reduced to a series of flowing lines, reflecting speed and fluid movement.

GR: You get that in the road as well – all the shots of the riders from above, showing the road snaking through a valley or up a mountain. In fact the Rapha logo reflects that as well – it is deliberately smooth and looping in the same way.

JF: I’m sure the reason you get such great photography in cycling has to do with this imagery. The almost static forms of the riders and then the sweeping scenery. No other sport can really compete for the scenery.

Screen Shot 2013-11-01 at 21.14.45

 

All photography except landscape above by Luke Carby

Boglioli and Caruso jackets at Trunk – a guide

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Screen Shot 2013-11-09 at 20.11.49

The Boglioli and Caruso jackets at Trunk are my favourite range of casual alternatives to tailoring in London. There are several reasons why you might want a casual RTW jacket, including styling, cost and finishing. For me the biggest one is the whole-garment washes that cannot be replicated with bespoke, and which are the most attractive feature of a casual cotton jacket.  

Even within Trunk’s small range, however, it’s not obvious what the different models are and what they mean in terms of style and price. Plus I always find it’s nice to know that kind of information before going into a store. So here’s my guide.
 
Boglioli
 
Coat

Coat jacket

Starting price: £455
Fit: The loosest and longest of the Boglioli (though none of them are long)
Style: Tends to be in more casual fabrics, such as washed cottons, to reflect the relaxed fit. Like all the Boglioli, it is unlined, with no canvas in the chest or padding in shoulder, and a ‘shirt sleeve’ where the sleeve runs underneath the shoulder
 
Dover
Dover jacket
Starting price: £525
Fit: Shortest of the three models, but in the middle for slimness
Style: The best-selling of the three, it is usually in wools and cottons.
 
K jacket
K jacketStarting price: £815
Fit: The slimmest of the three and in the middle for length
Style: The most luxurious fabrics, such as cashmere. This is the only real reason for the higher price – the construction on all three models is the same
 
Suits
 
The Boglioli suits are modelled off the Dover, just with matching trousers. There is also a new line called Eton that tries to be a little more English, using chalk-stripe flannel for instance. It still has no padding in the shoulder, a shirt sleeve and no lining, however.
 
 Caruso
caruso
Starting price: £800
Fit: Slightly roomier than the Boglioli, and slightly longer, though still shorter than any tailored jacket
Style: Made with shoulder padding and chest canvas, so more like a recognisable English jacket, though largely with a shirt sleeve. Comes in two levels of finish: Golden and Parma. The former has the Milanese buttonhole in the lapel, pick stitching and some more handwork on the lining. (Drake’s jackets are Golden finish.)
 
Trunk
TrunkStarting price: £755
Fit: Made by Caruso but in a slightly softer cut than the jackets above (the Shelby), and slimmer and shorter
Style: Differentiated from normal Caruso by its roped shoulder, half lining and flapped rather than patch pockets. All more English touches, which is reflected in the materials: all relatively heavy Fox Flannel and Breanish Tweed.
 
These jackets are the direction Trunk wants to take its branded tailoring in the future, hopefully creating a line in great materials with a mix of the English and Italian styling. 

Trunk is also offering Permanent Style readers free shipping this week. Enjoy free worldwide shipping on all orders over £50 at Trunk Clothiers until Sunday November 17th. Add items to the shopping bag, click ‘View full bag’ and enter the code PERMANENTSTYLE before checking out.

Our new site

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Screen Shot 2013-11-12 at 15.22.37Welcome to the new Permanent Style website. We’ve made a few big and a few small changes, and we hope you like them all.

Most noticeable will be the categories that now run across the top of the site. These open up the entire Permanent Style archive, so you can browse posts just on shoes, on specific tailors, or reader questions.

Each category page has a revolving gallery of old posts, bringing up some gems you may have missed, and sub-categories that enable more nice browsing – how to look after your shirts, for example, or wear colours together.

There is also an improved search function (top left), better translation (to the right of that) and every brand I have covered, each with their own page (above right). You will find posts easier to share, and our great photography has  room to breathe. 

Comments on how the site could be improved and information on problems are appreciated. To express that appreciation, the first 20 people to get in contact with a helpful suggestion will be placed on a priority list for the next Permanent Style collaboration. Simply email me at simon@simoncrompton.co.uk

Happy browsing.


Three good, three bad

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pittigq28

I don’t often write negative things about brands. There are so many great things to write about, and I generally prefer to simply not cover them than write something negative. Perhaps, as Spanish readers suggested at a seminar in Madrid last year, I am too just too English.

I do think, however, that it is worth giving feedback on how products have worn over time. It is the philosophy behind my ‘How great things age’ series, and it’s something most mainstream sites never cover – because they’re not using the products themselves, merely publicising new releases.

To that end, here are three things that have worn very well over the past five years, and three that have not.

xl_12669


Three good…

Albam jeans

I have had two pairs of jeans from Albam, both bought raw and slowly worn in. My current pair is three years old, and has that lovely patina you only get with heavy cotton and leather garments – the feathering, the creases, the personal signature of wear and use.

I had both taken in slightly at the waist, because I have a small waist in comparison to hips and thighs, but the fit was subsequently perfect. I know a friend that had a pair of Albam jeans split on them down the seam, but I feel that must be the exception.

Anderson & Sheppard double-breasted jackets

People spend a lot of time online debating the finishing and internal construction of a jacket. In the end, it must make you look fantastic. It must suit your style and your build, and give you confidence as a result. My A&S DBs do that more than any other jacket I own. (Pictured top, with Luca Rubinacci.)

IWC Portuguese chronograph watch

It took a long time to save up for this, but I’ve never doubted that it was worth it. These are not original points, but I wish to add the emphasis of my own experience: your watch is one thing you wear every single day; you will look at more than anything else you wear; and it is likely to be the most beautiful thing you own. Mine certainly is. No other element of menswear matches jewellery for delicacy of touch. It is a constant source of pleasure.

House of Billiam varsity jacket
Three less good…

House of Billiam varsity jacket

The reason I have never written a follow-up post to my commission of a varsity jacket from this east-London maker is that the quality wasn’t that impressive. The materials were good, particularly the ribbing and nappa leather, but the pocket bags were of oddly varying sizes, with one too shallow to be of any use. And the placement of the poppers was off, such that the last one couldn’t be fastened without making the jacket gape.

Cliff Roberts boots

Back in 2009 I had a pair of boots made by Cliff Roberts. He is a Northampton shoemaker, who I recently bumped into at the Crockett & Jones factory. He was offering bespoke styles on your personal last, at attractive prices.

The boots have not worn well. They used a thinner leather than most, but didn’t have the internal structure to support it, and have become misshapen as a result. The heel of one came off quickly. Eyelets came loose.

A Suit That Fits suit

When I had a suit made by ASTF four years ago, I hadn’t had much else made. I thought the fit was good, though the materials weren’t that impressive.

In retrospect, the materials were cheap and the fit was only OK. I’ve seen friends’ suits where the fit has been pretty terrible. Certainly worse than a regular high-street suit. For that price, I would recommend most people go to a high-street brand they like, such as Reiss, and have the suit altered to fit by a decent tailor. Or find better made-to-measure.

A (Christmas) word from our sponsors

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The Merchant Fox

One of the nice things about having nice advertisers is the range of Christmas shopping ideas they present. Here are my favourites.Drakes cashmere tie

Among the best additions to the collection at Drake’s are the untipped cashmeres in various shades of grey. The lightest, simply described as ‘grey’, is my favourite. Coincidentally, it is also my favourite shade of Kirby’s Palatino super-fine socks at The Hanger Project. Perfect to match with pale flannel trousers, or an unusual note with mid-grey.cashmere hunting socks

Mes Chaussettes Rouges has expanded considerably in the past year, now with their own shop in Paris, and one of the things they have added is hunting socks. I don’t plan to go hunting, but I will be spending a lot of time at Christmas sitting around the fire.

Someone else who has expanded a lot is The Merchant Fox (pictured top), with reefer jackets and suitcases added to the accessories and bridle-leather bags. For more modern bags, and a range of brands, Opumo has the best selection I’ve seen (J Panther aviator, left).Le Noued Papillon

Pediwear is one of an increasing number of online shoe retailers, with both a big range of shoes and a surprising number of accessories – Peckham Rye hanks, for example. A Fine Pair of Shoes, the other shoe retailer here, keeps with a smaller number of shoes but is also the exclusive UK retailer for Covy’s overshoes. A German brand, Covy’s are less dressy than Swim’s with a chunkier shape and higher coverage.

What else do we need for Christmas? Dent’s is where I’d go for gloves in the UK (particularly the deerskin), Penrose’s range of cufflinks is worth highlighting, and Le Noued Papillon has the greatest range of silk bow ties (though the Belle 2 handkerchief, right, is also a favourite).

Trunk, meanwhile, is great for presents across a series of categories, particularly with the addition of Trunk Labs. If I had to pick one sure-fit Christmas hit it would be the brass tea-light holders. For a more casual wardrobe, the Sunspel fairisle accessories are also worth checking out. Postalco envelope

Among my other favourite online sites are Kaufmann Mercantile, a New York workwear-influenced site that now ships to the UK, and Misc-Store, which stocks Midori and Postalco (envelope, right).

There seem to be new ones every single day.

 

 

The inside line: Gaziano & Girling in How to Spend It

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Screen Shot 2013-11-19 at 16.08.16

It has been a year since I began my  column with How to Spend It  looking at value in menswear. Nice as it was, we had covered most of the basics – so the editors and I decided recently to change tack. 

The new column, The inside track, will look at one relatively unknown brand each month. It will combine a behind-the-scenes narrative with an insider’s explanation of the brand’s quality and originality. Hopefully, it will enable me to spread the word about many of the smaller producers that we know and love, but rarely get mainstream coverage. 

The first to be featured is Gaziano & Girling. Although well-known to shoe aficionados, few men outside the online world have heard of them. And they are on the cusp of something big, with a new factory and soon their very own shop. 

You can read old columns here

Edward Green Top Drawer

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Edward Green ComptonAn archive-trawling reader recently reminded me that back in November 2011 I wrote about my new Edward Green Top Drawer boots, concluding that perhaps it would be best to wait two years and then see how the boots had worn.

So what have I learned in that time? Well, the leather continues to outperform that of other Edward Green shoes. It takes a polish beautifully, instantly bringing up a rich shine and achieving a mirror-like finish with a little extra work. The only shoes I have that are comparable in that regard are from Corthay, though that construction is also rather stiffer.    

Edward Green Top Drawer3

 The waist treatment continues to appeal. I like the rounded shape more than the sharp angle of some Gaziano & Girling shoes, for example. It feels natural and less affected. However, close as the waist is, it does not compare with bespoke shoes, and neither does the pitch of the heel.

As I have written before, those two things are what give bespoke shoes such elegance and grace, and for me are a greater draw than bespoke’s superior fit. If I could find such work on a RTW or MTO shoe, that might be the ideal.   

Edward Green Top Drawer waist

 The boots have worn well, though no better than any other of my Edward Green shoes. Perhaps two years is still too short a time, though. I rarely wear boots for the middle six months of the year, and the rest of the time they must compete with a large shoe collection.

The only thing that was slightly disappointing was that the loop for pulling on the boots came off at one end. I haven’t seen any other signs of poor workmanship – quite the opposite in fact, in everything from the heel build to the waist-to-heel transition to the linings. But it shouldn’t happen nonetheless.

I can see how a Top Drawer shoe would appeal to a long-time fan of Edward Green who wanted something just a little better. You definitely get that. But, with Top Drawer starting at £1350, you’d need to not miss the extra £600 or so. Top Drawer also shouldn’t be seen as halfway to bespoke, either in make or obviously fit.

Edward Green Top Drawer

  

Chittleborough & Morgan suit: Part 4

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Chittleborough & Morgan bespoke suit

My Chittleborough & Morgan navy suit was finally ready last month, and here are the pictures.

I use the shot of the back at top because it is the only one that demonstrates the superb fit Joe and his team have achieved. It is a consistent struggle for tailors to get the fit right through my hollow lower back and fairly prominent seat. The only other tailor that I think achieved such a good fit here was Liverano & Liverano.

My favourite style aspect of the suit is the waistcoat – a new design that Joe was trying out. It has a cloth back and a proper collar, so it can be popped up if the air turns chilly. And it is cut so that the lapels fasten together, using the usually decorative lapel buttonhole. For someone who still likes the Logical Waistcoat Theory he penned 5 years ago, it is an extremely functional piece. 

[Click on the images at the bottom of this post for detailed shots

The make, as you should expect by now from Chittleborough, is superb. The best by an English tailor and approaching the French masters at Cifonelli and Camps de Luca (more on a comparable Cifonelli suit next week).

I mentioned the way the C&M pockets are tacked to the inside of the jacket in a recent post on The Rake website – as well as the hand stitching of the two side panels of the lining.

Chittleborough also overlocks the inside-leg seam of the trousers by hand. This may seem point

less – it is a long, straight edge after all, and therefore a classic candidate for machine stitching. But Joe finds that the speed of machine overlocking can lead to the line of the trouser being ever-so-slightly kinked, as the perfect line is lost in the speed of the action. The inside-leg seam is easier to distort in this way.

Extra work also goes into the gorge stitching (where the collar joins the lapel), with the two being stitched flat and folded over, rather than the two sides simply being pulled together. And of course the decorative details on this suit, such as the raised seam in the back of the jacket and lapped seams down the trousers, involve a lot more handwork.

For a price to US customers (so ex-VAT) of £3333 for a two-piece suit, it’s very good value. And yes, they can do more conservative styling.

The only thing I’m not entirely sure about is the position of the high-waisted trousers. They have to be high to wear with a waistcoat (otherwise the waistcoat is too long or you end up showing shirt between the two), but it still feels odd to have so many layers of cloth at my navel. I think I may end up lowering the waistband by about an inch – to the lowest it can go and still be adequately covered by the waistcoat.

More from the C&M team soon.

[Click on the images below to enlarge]

Chittleborough Morgan8

Chittleborough Morgan

Chittleborough Morgan2Chittleborough Morgan3Chittleborough Morgan4

 

 

 

 

Chittleborough Morgan10

 

 

 

 

 

 

 

 

Top photograph: Luke Carby

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